C-Horse reviews

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Lindsay Groves

Playing with the C-Horse (on a Cornelisson cello) last week was amazing and also, fun.  It’s relaxing to have overtones floating out so freely.  Seems like hearing them better makes it easier to play in tune. (Imagination?) It’s Strad-like!  I played on the Countess of Stainlein ex-Paganinni Strad once - every note rang like a bell.  The C-Horse will solve the problem of cello/bass sections sounding either muffled or strident.